Sango DONE

From top to bottom Sango can be described as a fairly tender built woman. Her body does not have the requirements to ever become bulky or curvy. Generally speaking, she is a lean woman with a body at the peak of it's potential. She has developed muscles in the confines of her physical possibilities and a fair amount of female characteristics. Especially her face gets very close to the female “golden cut” modeled after the Greek Goddess Venus. Sango's chest and posterior stand out despite being very tender. Her body has  measurements of about 85 – 57 – 90 (This is a European measurement system I believe. Look up “90 60 90” on the internet and you will get a rough image). Apart from the specifications of her physical appearance Sango's overall impression gives the spitting image of an angel. Her skin is somewhere between the lines of tanned-brown skin, and is soft as can be. It is probably the physically most appealing feature of her body. Next to that, her body is structured in a way to give her maximum flexibility and reflexivity. Her cultural background had her be a dancer because of her beauty, and that actually manifests itself in every aspect of her body.

Starting at the top Sango could spend hours describing her own hair. At chest-length, it's wavy and free structure, the lightness of her wisps give off an extremely fluctuating glow that usually makes her visible from afar. Sango's hair is probably the most favorite characteristic of her own body. Simply because it needs extremely little care to look as it does. Though she does of course apply care to it, it does not go over any standard hair-worshiping, namely washing, conditioning and drying. She does not need to ever style it, as it's natural structure and mass need only little means to make it fall into a position where it looks absolutely magnificent. One of those means has become a habit of hers. Usually with her left hand (may do this with the right one, then opposite sides apply), Sango grabs the hair on the right side of her face to her right ear and pulls it over her neck to make it fall down her left shoulder. That movement is one she has accustomed to and has burned itself into her. Lastly, her hair likes dancing in the wind. The free movements it makes can even be caused by the slightest gust of wind that makes her white mane fidget and twirl around her head and not often taking away the focus from her face.

Sango's face is extremely reminiscent of the “golden cut”, which describes the optimized structure of a human body. This exists for both genders and for nearly every feature of the body, also the face. Her eyes, ears, nose and mouth are accurately and beautifully aligned into the spitting image of an angel. There is little to no tolerance zone out of which she could complain about her face. Her forehead and hairline stand in perfect proportions to each other. Her eyebrows are somewhat furry, but their white glow emphasize her shining emerald eyes. Under which her nose runs. Slim, yet defining, her nose is still somewhat subtly resting on her face and doesn't grab too much of the attention-cake. Under her nose are her thin lips that have a similar color to her skin, which is why they create a merging image with her face, perfecting her main features. Sango's cheeks are right in between puffy and prominent, and her chin is tender and rounds off her face. You will never find her complaining even a bit about her facial features or hair.

Sango's mouth produces a very distinct voice, quite recognizable and readable. It is not low, nor is it mighty. Her voice's power lies in its absolute calamity and soothing composure that allows her to be quite the intriguing conversational partner. Next to the voice being neither low nor mighty, Sango is very well able to make it loud, resonating and potent. She can turn up her volume quite a bit. Nevertheless, does her voice impress not with oppression, but instinctive invasion into your ears. It is quite hard to not listen to Sango talk, because when she does, she usually only has important things to say. Her speeches are not known, but those that were able to listen to one have kept it in their minds. She herself does not enjoy talking though, her voice is merely a tool to impose on others with. She likes to converse with her body and gestures more than she does with her voice. Even next to people she likes, her voice barely sounds. Overall, she uses her voice when she has to, otherwise she speaks with her body. Physiognomy, gestures and physical contact are her preferred way of communicating.

Voice Sample:

Her physiognomy as her main means of communication is extremely diverse and unusually expressive. Her face depicts the widest range of emotions and indicators possible. The people who know her and socialize with her for more than three months usually get accustomed to it and are able to read her quite well. Her average and standard facial expression is a slight grin and a satisfactory glance. She is quite intriguing with her small-speech agenda, allowing her to make some people quite insecure around her. Nevertheless, she doesn't try to stand out by simply conversing with her body rather than words. If someone is able to, she loves talking in sign language to people. She is extremely fluent as she thinks it's one of the most beautiful languages that someone is able to speak, because it is far more expressive and personal than worded language. Though Sango is able to confuse people sometimes. Often.

Somewhat broad for a woman of her size, Sango has wide, yet thin shoulders. They aren't as tender as the rest of her body and as she'd like them to be, which is why her shoulders would be the next feature she dislikes about her body. From her shoulders, her slim but firm arms expand. Somewhat long and snake-like, the skin of her arms is insanely soft and smooth. Her lean and athletic built muscles give her arms only little strength but  extremely keen reflexivity and flexibility. Her relatively small hands and slender yet short fingers are quite smooth as well. Sango is highly talented with her hands and her motor abilities are distinctly developed. Sango's decolletage reveals quite a bit of neck bone and leads down precisely to her breasts. As an average C cup, Sango is quite satisfied with her own size considering her height and weight. She likes how her chest has developed and it is quite the attractive physical trait she has. As well as her breasts, her stomach is also fitting to her image and gives a near-optimum of an hourglass figure. Sango's back is probably the body part with the most muscles. It is despite that, not harshly defined but is a well-shaped and formed region of her body. In her back lies the most flexibility giving her highly optimized possibilities for movement on the spot. She is able to bend back and touch her heels with her hands. Her back and stomach run down to her hips. Tight and firm, her tush is not her most outstanding feature, which is why she usually covers it with clothing. Her hips are nevertheless quite broad for her figure and leave a big image behind. They are optimal for keeping balance as her height and weight of her pelvis allow for a stable body weight center and weight distribution when standing, giving a good basis for her reflexivity and flexibility. Beneath those hips are her legs that expand to the floor.

Her legs give the extension of her flexible body and are the means by which she can bend, twist and fullfill as many tricks as she is able to do. They are proportionally precise and slim. The joints are highly developed and durable though, as well as her slightly oversized make her dancing as coordinated and elegant as it is. And elegance is the keyword in the result of her legs. While they themselves are nothing special, they lay focus on the rest of her body, namely her chest and face, which she accentuates or tries to accentuate the most. Sango's small toes are usually covered by rings or jewelery, sometimes also sandals or even long clothes. With a bit off thigh-to-calve relation, they are another point of shame for Sango's take on her physical appearance. Her natural beauty has made it so she doesn't take too much care of her diet and training which sometimes results in such unproportionalities, but luckily she covers that part of her body to veil it from expectancies.

The clothes she uses to cover her body are primarily jewels. Sango is extremely fond of any kind of jewelry, be it necklaces, rings, braces or earrings or anything else that sparks any kind of interest in her. She wears a lot of ornaments all over her body. Be it a diadem to start with or big, golden earrings, her fanaticism for shiny adornments knows very little bounds and doesn't halt before toerings or pendants on any part of her body. The most favorite type of jewel would be emeralds though. The green lighting emphasizes her white hair and eyes. It is mostly emeralds and gold for her. Her favorite type of jewelry would be rings and arm-braces, be that one her biceps, wrist or near her elbow. Next to her love for jewelry, she usually keeps only her chest covered either by a bra or sometimes even plain bandages. She tries to emphasize her skin, stomach and back, as well as not lay too much focus on her choice of clothes. Sango is very much concentrated on looking like a natural beauty (for which she has the best possible presets), than someone who has made himself look dazzling. When it's cold though, she will wear short jackets that she rarely to never closes though. If she has to be anywhere cold, she'll either be there pumped by adrenaline or just not stay for too long. Her legs are usually covered by long dresses that go down from her waist. Held prominently in white, she likes attaching all sorts of jewels and gold chains to make it look pretty. She contradicts her own want of not looking too stylish here, but Sango wants to cover her legs as she is self-conscious about them. Sometimes she'll even wear wide cultural pants indicating for her culture.

Overall Sango is one of the people who's simply gotten lucky with her physical appearance and doesn't really need to do much to look great. But because of that, she is certainly not a superficial person. She does lay emphasis on healthiness though, but would never judge someone based upon his looks. She likes her own appearance but is of course conscious of some parts, as every girl is somewhere deep inside. Next to that, her clothes are heavily influenced by her culture and the fact that she likes hot weather and usually makes it warm indoors. Sango is quite a distinct girl when it comes to her physical appearance and the meaning of appearance for her, but overall it doesn't present itself too much on the outside. Mentally, it's a meaningful part of her though.

1.Shuhei: This dazzling man would be the only reason Sango is currently in a guild. Her emotional world places him in the center so it would be obvious that she would like him – a lot – .  Next to that, she simply adores Shuhei's nature. Almost everything he does is meaningful to her and she lays complete trust into him. It isn't love to her, but goes beyond that. From her side, she is mentally bonded with him which is why she centers her emotions around him so much.

2.Warm Weather: As a girl who came from the desert, hot weather is her natural habitat so to speak. There is nothing more she loves than a warm summer day. She has quite the high warm weather tolerance because of this, especially dry climate is something she can accustom to extremely fast and well. Genuinely, she likes the warmth of nature though. But winter season kills her mood off.

3.Dancing: Her culture is rich with traditional dances and feasts that bond the people of a tribe closer together. Because of her natural beauty, she was quickly picked out as a dancer. That might have been pushed onto her, but she quickly came to love all kinds of traditional dances and even impressed most of her folk with improvised dances back in the day, that were extremely expressive of their culture. She's a natural talent with an affinity for expressive movements.

4.Sign Language/ Body Language: Any type of message-conveying done with the body is worth buckets of gold to her. Sign language is probably one of her most preferred languages, but genuinely this is also another aspect of her liking dancing so much. Talking with the body is something she loves doing, showing people through actions and not through words what she means. This is especially distinct when it comes to her trying to convey emotions. When it's something serious, she might even do a little dance for the specific person.

5.Sleeping: This is completely literal. Sleeping, and everything combined with it (dreaming, dozing, calming down, resting) might just be her favorite hobby. As dancing is not exactly a hobby, but more of a way of life to her, it would be lazing off that takes the cake for her. She's somewhat sleep-addicted (in other words). There is little she would actually get up for while resting. Sango is the type of person who'll need ALL the information WHY she needs to get up, then weighs the pro's and con's of that information, and then decides whether it's worth it or not before actually getting up (or not).

6.Pillows: Fluffy goodness.

7.Afternoons: Her favorite time of day. Especially warm Sunday afternoons. Those are the best. The most beautiful moments are when the sun slowly sets and the last rays of sunlight heat up the grass. Laying right then and there is most likely her favorite environment to be in. And resting while doing that probably the best possible situation to be in.

8.Meditation: While slacking off and just doing nothing is very much welcomed by Sango, she's certainly not some sort of idiot or simpleton. Well, her mind does work in impulsive, direct and occasionally instinctive ways, but the real moments in which her intellect shows is during the silent conversation between her and herself. When meditating (usually done after waking up), Sango thinks about a lot. And a lot of questions, especially the question of evil has continued to bother her over the years. She will very rarely discuss these things with other people (occasionally, if someone can converse by sign language) since speaking is not her most favorite hobby. She's also not too keen on debating, discussing or conversation. In other words, in meditation, her actual introversion shows.

9.Literature: While speaking is certainly not one of her most favorite activities, reading is a completely different scenario. Planting pictures in someone's head is simply nothing she is able to do. But other people can, and there are a lot of great authors that have managed to pull her inside worlds and worlds of fantasy, emotions, facts, knowledge and experiences. Sango certainly likes reading.

11.Music: As with dancing, music is written big in her cultural background. She is very much into live and ethnic music of any type. Music has no specific shape or form for her and during her life she's come to adore many different types and forms of sounds. She herself plays several stringed instruments and is very much a percussionist master. Giver her drums and she'll blast you an epic beat, surely.

12.Birds Cute, fierce, small, big, colorful or not, the many different qualities of birds she tries to project on herself are surely a reason, but it's one quality she simply loves about birds. Sango sees birds as the manifestation of a free existence. Being able to fly is probably one of her most favorite qualities in birds, but it is the genuine freedom and cheerfulness, the fierce calamity that naturally surrounds them.

13.Mythology: As she is interested in ethnic music, she is also very much interested in ethnic history. Any sort of religion or fairy tales that are brought down from culture to culture spark her interest. She is on a constant search for people with stories of their culture to tell.

14.Funerals: In her culture, funerals are never about mourning the death of a person. To mourn the death is usually done personally and quietly. Funerals are all about celebrating a dead person's life, paying respect to whatever he did, which is why they have a special standing in her heart. She loves the funerals of her culture and wants to have one just like her tribe puts out when someone dies.

1.Talking: Probably THE least favorite activity, and that simply because she feels that she herself can't convey what she wants and tries to bring across in words. Listening is a completely different matter actually. It's simply herself speaking that she can't really cope with, as it is also very tiring finding the right words. Nevertheless, Sango is pretty damn good at it. One of those natural talents you never find quality in.

2.Cold Weather: That icy winter weather where everything is grey, dark, wet and just disgusting. Cold weather is not something she hates, but something she's uncomfortable with. Sango could never hate anything that mother nature produces as she sees the free spirit of the earth, but she very much knows that she doesn't have to be ok with everything. It's a kind of love-hate relationship with nature for her. (Yes, nature is sort of a personality to her. Expanded later on.)

3.Exerting Herself: When she doesn't want to, or has to do something she has no interest in, she WILL see it as simply exterting herself and will at most reluctantly and lazily slug around while doing it. (Except if Shuhei asks her something, but even then she is bummed out) Exerting herself is useless to her. Even though dancing does that, dancing is something she loves and something that is expressive. It isn't exerting to her as it is FUN. Any other kind of activity that involves sports is probably not fun to her, so it's simply straining.

4.Shuhei's Enemies: Any enemy of Shuhei is an enemy of her, simple as that. She has complete trust in him which is why she would also always trust his judgement who he picks as enemies without questions asked.

5.Cities: Sango doesn't like the dirtiness of nature or all of it's defense mechanisms a living being has to be aware of, heavens she'd feel extremely stupid for that. It's the urban disease pots she hates. They disgust her, make her feel cramped and unwelcome this absolute hate of such environments usually manifests in claustrophobia.

6.Industrial Noises: Loud, unnormal noises that nature doesn't make. Anything industrial is a sort of instant turn off for her. She gets pretty pissed off at such noises. That is why she hates technology to a big extent and also dislikes the construction business. As well as economics for making all that possible.

7.Pain: It's not that she's afraid of it, it's just that her pain tolerance level is somewhat low. And as pain is something extremely uncomfortable she absolutely hates it, which is why one of her most favorite abilities is that sturdy slayer body of hers.

8.Stuck Up People: God how she hates any sort of snobs, hypocrites, conservatives and straight thinking, absolute word pictured people. It's puzzling how humans can think of themselves higher than they are or not be open to fun. To her at least. Her whole life revolved around always being prepared to accept any kind of change, to be prepared for anything the world would hold for her. As her culture dictates, it was her duty to go out by herself at a certain age, so basically she was extremely confused once she met the first people who think that those and those people are bad or think in absolute and small windows.

9.Competition: Nothing is more annoying to her than having to compete with someone for something. She's also the type “slow and steady wins the race”. Sango is a person that doesn't want to compete with others, rather tries to have fun with herself and other people while doing whatever just so life never gets boring or disappointment. Her heart and soul are poured into her very existence. There is very little that Sango would compete for. To her, it's all about sharing the experience rather than competing for it. (Fighting has a completely different nature. Sango is additionally a type of person who would never fight to win. Either to protect, have fun, kill etc.)

10.Death: Whenever she sees, hears or gets to know of death in other forms the small, black pit inside her soul, that seemed endless from the start of when it was formed, grows a bit deeper. Death is extremely depressing to her, which is why she loves funerals. It is difficult for her to cope with death. She barely ever depicts any signs of depression because of death on the outside. Coping with the passed is something Sango does by herself, quietly, in her own mind and in her own soul.

11.Rationality: The stupid straightness is exactly what gets people so stuck up these days. It lies in human nature to have everything as orderly as possible, as logical as possible. But she believes that there is a line for humans, and those who cross it are not being human anymore, but what they would call “rational”, which is nothing but boring, disappointing, pessimistic and simply idiotic to her. She lives her life by the words “We think too much, and feel too little. More than cleverness, we need kindness.” Those words are a small tantrum to her that she will pray at times.

12.Politics: In politics people abuse their right to rationality to exploit others for their benefits. Politics was never about peace, equality, happiness or benefit for her. But just about power. This is also probably one of the single things she hates about Shuhei, but that he is with the Wizard Saints does piss her off quite a bit. It is incomprehensible to her, why Shuhei would ever purposefully put himself in such a spot.

1.Shuhei: As already pointed out, this guy stands in the center of her emotional life, most likely because of an overbearing compulsive disorder based on childhood neurosis because of her connection to Shuhei from the past. She trusts him to a big enough extent that orders, requests, bids, questions or anything coming from him has the automatic highest priority over anything else. He's her main drive to be in the guild life and to actually go out and socialize. Shuhei is also someone she must protect, make happy and be there for. Overall, Sango attempts to let her life not get bound by him, but she feels responsible for him in some way, as the person she respects the most.

2.Archeology: A motivation of Sango's is too explore the world and discover all kinds of antique things. As ethnic things and mythology interest her, ancient languages, historic documents and gifts from times that were never documented interest her immensely. She always finds that the origin of Fiore's calender has something to do with a lot of ancient civilizations. Overall, seeing more, learning more, experiencing a lot of direct sources of ancient information from times that have long passed away is what drives her. She wants to have seen the world before she dies.

3.Religion: Sango has an unusually deep, mental connection with life, nature, magic, existence and humanity. It goes as deep as Sango has formed a sort of polytheistic belief system, largely influenced by her own tribal culture. The constant existential questions keep her thinking whenever she has time to meditate. A large span of theological thoughts roam in her head that have ultimately made her a religious person, without truly being part of a religion. Her beliefs in god, nature, infinity, magic, love and humanity go way past the average joe's though.

4.Love: She wants to find love. There isn't much to say about this, but love is a major subject in her own culture. Setting out at a young age, members of her tribe are tasked to find someone to spend your life with and either come back to the tribe or at least pass down the teachings of the tribe. Thus, Sango's deep wish is to find love one day, settle down and have a family. She genuinely believes her time for that hasn't come just yet, but without searching she would welcome such a thing if it were to fly into her arms.

1.Dying: As generic as this is, death is mourned in her culture. It is bad, and despite being a part of life, death was always something extremely taboo with her people. The calm celebration of life that every bit of her culture is about does not combine with the theme of death very well. It might be a bit delusional and negative, but Sango IS deathly afraid of death. Literally.

2.Mountains: The cold and mountainous dimension mountains pack simply impose on her enough to not want to ever go up on mountains. She's very aware that there could be countless undiscovered artifacts in numerous cold regions of the planet, but she simply can't bring it over herself to ever put on thick enough clothes to go into the cold. She HAS done it a few times, but they weren't any fun, and because of the harsh climates often bared only little fruit.

3.Size: It's not heights Sango is afraid of. She could stand in 400 meters height and just feel the normal little oozing in the stomach. Nothing more. It's literally size she is afraid of. Big, husky, bulky things. They scare her, impose on her and reduce the meaning to her existence at least momentarily. Very tall people are also not her favorite type of people to be around, though it doesn't hinder her when socializing. Tall people are just genuinely not the first people she'd talk to in the park.

4.Urban Areas: A pseudo-claustrophobia that kicks in when in Urban Areas. A semi-puberty trauma that kicked in when Sango was striding around big cities looking for money and places to stay. She feels cramped by masses of people and by too big buildings. Indoors is generally not the most comfortable place to stay, but tall buildings make her slightly dizzy. Somewhere before crossing the line of nauseous.

5.Physical Disability: She is deathly afraid of losing limbs or being generally physically incapable to do anything anymore. The thought of it drives her insane, nothing would be worse than being disabled. It's not that she hates disabilities, but for her goals, dreams and values being disabled is not an option. Sango has to keep her body safe. Whenever she broke one of her limbs by accident she was on the verge of killing herself in case it wouldn't heal.

6.Sex: This is a more mysterious fear of hers, which Sango herself hasn't really payed much attention too. As a spiritual person, chastity was kind of a passive effect until she went out into the world. To the ages past counting as a minor, she didn't have any experiences at all. When the time came, Sango was completely incapable of having sex because her body wouldn't go all the way. She's completely sure that she's straight at that, but somehow the act scares her whenever it comes down to it.

There is a sense of feeble dancing in Sango's personality. She is tender, mild and soft. None of her actions or words are ever violent, even during the times she raises her voice. There is a purely passive side of her that shines most of the time and makes up most of her. Her whole behavioral scheme seems to be that of a graceful creature. Everything in herself is done to express her own inner spirit. Not fragile, but smooth, fluid notions of her surface whenever she is with someone. Her body and mind are that of free spirits. There are very little boundaries that hold Sango. Her facets never leave her side and her self is dropped in the present 100% of the time. It is extremely easy to read Sango once you have figured out her scheme. The behavior and acts of someone who is so completely self-aware that it is hard to grasp the full concept of the utterly honest and blatant display of a person. There is no core to Sango as there is no surface to her. Herself is one as a whole. You will only ever discover pieces of her. There is no attempt to delve deeper into her, as it always succeeds. There is nothing she has to hide, and there is nothing she is afraid to hide.

As an extremely spiritual person, she has accepted elements of life that some don't find as obvious, fascinating or important. Her mind is set in the present almost always. There is nothing that can distract her from what is before her. While extremely dense parts of her tend to not be affected by her mix of rational and emotional agenda, speaking as a whole of her, life has succeeded to teach her things that are unteachable by normal means. Things likes fear and hope are an illusion to her. There exists only what is and what might still be. Not something that does not exist. As do the things that exist without actual effect on her being have little to no effect on her. There is very little that she does fear, as she is able to shake most of desperation, sadness and angst off of her. So speaking in a nutshell, Sango cherishes her life, but she is not afraid of death. Once she had figured out those general notions of existence, it was impossible to pull her away from them as their omnipotent applicability in her life has kept her morale higher than most anyone’s.

When battling, her mind stays as calm and clear as ever. There are genuinely very little situations that can throw her off balance. As long as she can claim a higher ground, her mind bends to no one. Brushing words and distractions off, not with ignorance but with pure rationality. Sango poises over fights rather than lives directly inside them. It gives her the right sense of perspective that is needed to hit opponent's blindsides and dish out the right moves. Her extreme flexibility and reflexivity is her strongest weapon when it comes to close combat. When fighting, she uses dancing as means of distraction and evasion. She is a jumpy person that moves a lot when in battles. Standing still is something she barely does. Using her powers and magic to be in constant movement is her utter tool of unpredictability during combat.

While she is not a leader, Sango is not a follower either. Her creed is to benefit those around her. She has little to no expectancies of life or herself next to respect and freedom. There is little that holds her in the same place for an extended period of time. If there is something, Sango is usually fully aware of it. Her conscious is well-developed and she has a strong sense of realism and her own emotions. There is never denial in her own emotions, just questions. She does what she feels is right in her heart, after evaluation if such a thing is right in her mind. Sango is a completely self-controlled, self-aware, somewhat eccentric person with a nack for affection towards specific people and places. She would never stray from her path of freedom in spirit, mind and body, and she stands up for herself and the things around her, as well as to keep the world a free-spirited place that stands as it is. She is opposed to any form of limits or laws, which is why she severely opposes the council. In that sense, she is a self-justified person, but not a vigilant that uses violence to get what she wants. She is a tender spirited, free and strong-willed person that pays most nothing fear or any sort of ideas hope.